Sourcing Local Clay

Sourcing your own material adds another element of uniqueness to any handcrafted vessel.

There is a certain satisfaction in sourcing wild materials and using them to form things of beauty. It begins with the hunt, usually a place I have driven past and made a mental note of for its promise. Returning when time allows to take some samples.

My Gold Coast clay find happened while I was chaperoning my youngest daughter for Schoolies Week. I dug the Bay Island red clay from under my house, and I found the Bay Island kaolin a short distance away.

Not all clays are equal. Ideally, you are looking for plasticity, which is influenced by the size of the clay particles, among other properties. When out in the field, a simple test is to add a few drops of water to a sample and roll it between your fingertips. If it feels a little sticky and does not crack when bent, you may have found a suitable source.

When I get the clay home I slate it down which essentially involves adding water and letting the clay dissolve. I then sift it through a kitchen strainer. Sifting again through an 80-mesh screen removes most of the grit. After drying the clay can be wedged and, if suitably plastic, thrown on the wheel.

Various clay samples showing different types and colors
Clay samples mixed in different proportions

In this experiment different clays were mixed together in certain proportions. e.g. 80% Gold Coast Clay, 20% Bay Island Kaolin.

Clay bowls with water added and mixed

Water is added and stirred in. The bowls are then covered with clingfilm and left for a week or 2.

Prepared clay balls ready for throwing

After maturing the clay is left to dry a little and then wedged ready for throwing on the wheel.

Design + Ceramics | Steve Neil